Who wrote the music for the Great Comet?
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| Natasha, Pierre & The Great Comet of 1812 | |
|---|---|
| Awards | Richard Rodgers Award for Musical Theater |
Who directed Natasha Pierre and the Great Comet of 1812?
The production, directed by Rachel Chavkin with choreography by Sam Pinkleton, played 32 previews and 336 performances before closing September 3, 2017. The musical earned 12 Tony Award nominations including Best Musical, winning two for Best Lighting Design of a Musical and Best Scenic Design of a Musical.
What is the Great Comet of 1812 based on?
From the celebrated and award-winning composer Dave Malloy comes Natasha, Pierre & The Great Comet of 1812, an electropop opera based on a scandalous slice of Leo Tolstoy’s War and Peace. Young and impulsive, Natasha Rostova arrives in Moscow to await the return of her fiancé from the front lines.
Why did the Great Comet of 1812 close?
Natasha, Pierre and The Great Comet of 1812 was supposed to be the next Hamilton. It was going to invigorate Broadway and attract younger and more diverse audiences — and it almost succeeded. Instead, it’s closing on Sept. 3, in part because of a controversy over casting and race.
Who played Sonya in Great Comet?
Brittain Ashford is an American actress, singer and songwriter best known for portraying Sonya Rostova in the 2016 Broadway musical Natasha, Pierre & The Great Comet of 1812, as well as fronting the band Prairie Empire.
Why is it called the Great Comet of 1812?
The comet was popularly thought to have portended Napoleon’s invasion of Russia (even being referred to as “Napoleon’s Comet”) and the War of 1812, among other events. … When asked why the comet made it into the title of the show, the composer Dave Malloy responded “for cosmic epicness.”
How old is Pierre Great Comet?
Pierre is twenty-seven years old in the novel. He’s commonly played by actors in their mid-thirties to forties. Helene is described in the novel to be in her early-mid twenties. Amber Gray took the role when she was in her early thirties.
What genre is Great Comet of 1812?
From the celebrated and award-winning composer Dave Malloy comes Natasha, Pierre & The Great Comet of 1812, an electropop opera based on a scandalous slice of Leo Tolstoy’s War and Peace. Young and impulsive, Natasha Rostova arrives in Moscow to await the return of her fiancé from the front lines.
Do Natasha and Pierre end up together?
After the French forces depart Moscow, Natasha again meets Andrei’s sister Maria and together they nurse Andrei until he dies. They are reunited with Pierre, whose estranged wife Helene has died. Natasha and Pierre fall in love. Eventually, they marry and have four children.
How old is Anatole Great Comet?
He really is stated to be 20 in book 3 chap 10, which takes place in the fall of 1905. But This makes NO SENSE with the information we were given before this in book 1, chapter 14, which takes place only a couple of month earlier.
What was Phillipa Soo in before Hamilton?
Before Hamilton, Soo performed on the small screen.
Still within the theatre realm, Soo played the role of Lexi on NBC’s Smash, an ensemble member of Hit List, the Off-Broadway show written by Jeremy Jordan and Andy Mienuts’ characters.
Is the Great Comet an opera?
Malloy has expert command of a number of different musical genres; Great Comet, originally labeled an “electropop opera,” has moments of musical-theater ballads, pop, modern opera, soul, and techno that could be out of a Calvin Harris album.
What part of War and Peace is the great comet?
‘Natasha, Pierre, and the Great Comet of 1812’ (known as ‘Great Comet’) is a theatre adaptation of Volume II, Part V of Leo Tolstoy’s ‘War and Peace’ told predominantly through song. The adaptation was written and composed in 2012 by Dave Malloy, who has described ‘Great Comet’ as an “electropop opera”.
Are the rights out for Great Comet of 1812?
“Natasha, Pierre & The Great Comet of 1812” is now available for licensing to professional theaters, Concord Theatricals announced Wednesday. The musical, created by Dave Malloy and originally directed by Rachel Chavkin, opened on Broadway in the 2017-2017 season.